Aero - Digital-to-Analog Converter (DAC)

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Aero - Digital-to-Analog Converter (DAC)

from $3,950.00

Linear Tube Audio’s first-ever digital-to-analog converter, and the world’s first DAC using ZOTL technology.

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Buy Now, Pay Later

We are excited to offer PayPal Credit, Klarna, Afterpay / Clearpay, and Affirm to allow you to pay for your purchase in installments.

PayPal Credit: Checkout on our website, choose the Paypal payment method, then choose Paypal Credit after logging into your Paypal account.

Klarna, Afterpay / Clearpay / Affirm: Contact us and let us know you’d like to use one of these payment methods. We’ll send you a custom link to complete the process.


Note: When you purchase the tube upgrade, they come in addition to the stock tubes. See more info on the Ray tube upgrade below.

Due to high demand, Ray tubes are currently on backorder. All new Ray tubes orders will mid-January.


AERO

The Aero is LTA’s first digital-to-analog converter, and the world’s only DAC using ZOTL technology.

After two years of development, dozens of versions and prototypes, and hours of listening tests, the result delivers crystalline realism, organic timbre, and encompassing soundstage.


Backed by LTA’s three-year warranty (one year on the tubes) and our extended 30-day in-home trial period. Learn More


The Aero has unlocked that emotional involvement with the digital format. I sat down with a cup of coffee and did side to side comparison with 24/192 recordings and the LP. My vinyl system is Sota Nova/Grado/Modwright. If I didn’t pay attention when switching between formats I would have to check to see what format was actually playing.
— Mark M. / Aero Owner

Features and Benefits

  • R2R Ladder DAC: No oversampling and no digital filters for organic sound

  • Class-A ZOTL Output Stage: The first and only DAC in the world to use ZOTL technology

  • Zero Negative Feedback: No global or local feedback for timbral accuracy and enhanced transient response

  • Isolated Power Rails: Dedicated power supplies for each section for precise electrical isolation

  • Advanced Protection: Circuitry to protect downstream components from tube failures

  • Easy Tube Swapping: Fully visible tubes and simple toggle switch for using either 6SN7 or 12SN7 output tubes

  • Balanced XLR Outputs: Enhanced signal quality and crystal clear audio

  • Three Inputs: USB, Optical, and Coax inputs for flexible connectivity

  • Direct-Coupled Topology: No capacitors in the signal path

  • Plug & Play: No drivers needed for Windows or Mac

  • Advanced Power Regulation: Belleson-regulated, multi-stage choke filtration for clean power

  • Digital Galvanic Isolation: Blocks noise from music sources entering the DAC circuit

  • Made in the USA: Designed and built in our Takoma Park, MD workshop

  • Roon Tested: Certified integration with Roon for easy plug-n-play setup


Reviews

"I gotta say, man, they nailed it right out of the box. This thing is impressive. It really is."

~Steve Guttenberg


“In my system, Linear Tube Audio's Aero DAC presented recordings with connoisseur-level NOS R-2R sound, which I would characterize as naturally transparent and unstressed. But it rose above this generic R-2R aesthetic by virtue of its extreme clarity, timbral beauty, and fit, athletic boogie factor.

~Herb Reichert, Stereophile Magazine


“The Aero stands out from that crowd by offering a natural sense of ease combined with a level of richness and resolution that keeps things real and exciting.”

~Michael Lavorgna, Twittering Machines


“I coined a term in a past review where I referred to a piece of gear as being a ‘disruptive product’ because it insanely snapped the cost vs. performance ratio. The Linear Tube Audio Aero DAC is such a product.”

~Terry London, Stereo Times


“The Linear Tube Audio Aero DAC is, I think, the best DAC I’ve heard short of far more expensive options…”

~Lachlan @ Passion for Sound


Roon Tested

The Aero DAC has received Roon Tested Certification from Roon.

Being Roon Tested means that LTA and Roon have collaborated to ensure you have the best experience using Roon software and LTA equipment together, so you can just enjoy the music.

In practical terms, this means that when you enable the Aero in Roon, all the settings will be properly configured automatically for easy plug-n-play use.

On the fun side, when using the Aero in Roon, a custom image of the Aero will be displayed in the Signal path and other areas of the Roon interface.

 

Testimonials from Satisfied Customers

LTA has hit another bases loaded home run... All of those 12SN7 tubes in the audio chain allow the operatic vocals to sound rich, luscious, liquid honey sweet, and laid back. Hall ambience is easy to hear and I feel like I'm seated in 4th row center.” ~SB

“The Aero DAC brought a fluidity to streaming high-resolution audio from Qobuz and Tidal that was truly striking. On superior recordings, brass instruments were rendered with outstanding transparency and realism, while drums exhibited a vibrant sheen. Treble extensions in all instruments were lively yet smooth, avoiding any harshness. Vocals, from artists like Ella Fitzgerald, Patricia Barber, Emmylou Harris, Diana Krall, and Frank Sinatra, were intimate and detailed, capturing every breath with clarity. In conclusion, the Aero DAC excels in delivering engaging, musical sound devoid of the typical digital artifacts often associated with digital playback.” ~RG

“A special piece of equipment.” ~BH

“I did play a couple songs I know well with my [well-known R2R DAC] and then the same tracks with the Aero, which killed my old DAC. Way more texture and richness to the music without sacrificing detail. Smooth and full sounding, plus dynamic. Fit and finish of the case is very impressive as well.” ~ CB

“I'm very pleased with the improvement over what I currently have. I have a [popular R2R DAC] The Aero just sounds better to me and the [other DAC] is no slouch having been reviewed highly and praised by many. I also was very impressed by the new look of the Aero. Great packaging btw. Overall, I think you could be asking and getting more for the unit.” ~DH

“I have had another DAC with the same chip through here and the difference in sound is startling. In fact the sound is different than pretty well anything I have had in the system period. Interesting blend of natural tonality, intensity, clarity and detail without becoming harsh. Nothing laid back about this presentation but rather engaging which is refreshing. Fit and finish are really good, though understated in looks the quality of the build is obvious. Shipping box well organized. Really well done.” ~JG

“The Aero has unlocked that emotional involvement with the digital format. I sat down with a cup of coffee and did side to side comparison with 24/192 recordings and the LP. My vinyl system is Sota Nova/Grado/Modwright. If I didn’t pay attention when switching between formats I would have to check to see what format was actually playing.” ~Mark M.

All fancy audiophile talk aside, this thing is just a joy. It has that remarkably LTA thing about it in the way that it reveals so much while remaining warm and dead neutral.  Listening, I feel like the Aero is sacrificing or compromising nothing.” ~Mike M.

“Out of the box already nothing else I have sounds better. All those positive comments are not overstated at all, and it even outperformed my [other DAC] which cost me 3x the price of Aero.” ~Toto L.

“Day three with my Aero and I will not even try to explain what I'm hearing or feeling other than say it is the greatest audio experience I've had. I hope many people can hear this DAC for themselves. In the end, I am beyond pleased.” ~Sam C.


What’s Inside the Aero

DAC Stage

Since LTA amplifiers are so transparent and known for their detail retrieval and low noise floor, we needed the D-to-A conversion to be very natural, since any artifacts would be revealed by our amps. After trying various options, we chose the Analog Devices AD1865 R2R DAC chip, which is sometimes called the “vinyl DAC,” for its organic sound. It is a non-oversampling DAC, with no digital filters, for the purest sound. The AD1865 is much-loved by audiophiles, and is used by at least one hifi company in a flagship DAC costing over $150,000.

Power Supply

The quality of a DAC's power supply is pivotal to its sound, and LTA is known for its superior power supplies. The power supply in the Aero is derived from David Berning’s iconic Pre-One, and employs separate power supplies, individually isolated for each part of the circuit. The power supply is integrated into the case of the Aero, and uses a choke-filtered circuit and high-end Belleson regulators for clean current. Combined there is over 300,000uF of storage capacitance in the Aero DAC.

Analog DAC Interface

Another major factor that determines the sound quality of a DAC is its analog DAC interface, called the I/V stage. Most high quality DAC chips output current. The current needs to be changed to voltage and is then sent to the output stage. Some DACs use passive conversion with resistors or transformers. Neither of these methods present the same load to the DAC chip across its performance band, which is problematic. We have developed a discrete, active I/V stage that solves this problem and results in enhanced speed, detail, and soundstage.

Output Stage

The output stage is where we bring in the magic of David Berning’s ZOTL circuit. The Aero uses our latest multi-stage impedance converter and a pure Class-A balanced design to generate exceedingly low output impedance from its RCA and XLR outputs, which means it plays nicely with tube or solid state preamps and integrated amps. The Aero ships with 12SN7 output tubes, but 6SN7 tubes can be used with the flip of a switch on the back panel.


The Story of the Aero

The idea of the first Linear Tube Audio DAC spent years hovering in the background as a blurry sketch, being redrawn regularly. We knew that if we made a DAC it needed to be deliberate and unique. Two years ago the pieces started to come together and we saw that we finally had something that could be the LTA DAC.

Now the Aero enters production as a generational step forward for the company. It is the first ZOTL circuit in production that was not an existing Berning design. It is the first single-ended (vs push-pull) LTA circuit, the first balanced output stage in an LTA product, and the first LTA product without inter-stage coupling capacitors. Along with the Velo, the Aero takes a significant step forward in utilizing higher performance SMD components and PCB layout.

There is an undeniable kinship between out-of-production non-oversampling DAC chips, such as the Analog Devices AD1865, and vacuum tube amplifiers. The best of these chips scale up in sound quality alongside the right implementation.

The analog section begins with a discrete current mirror with a balanced output. The active I/V stage allows the DAC chip to work less hard and sounded better than passive circuits during our testing. The signal from the I/V feeds the four single-ended amplification stages that make up the balanced ZOTL output stage.

The power supply in the Aero is a hybrid: it starts with a low-noise linear section that is followed by a fully discrete DC-DC converter - based on David Berning's flagship Pre-One preamp - to create isolated voltage rails. These separate voltage rails are then filtered and have additional low-noise linear regulation. Each rail has at least four separate filter stages and there is over 300,000uF of combined filter capacitance in the power supply.

The casework for the Aero was designed as a nod to classic wooden tube amplifier chassis, re-interpreted in machined aluminum. As fewer people use standard equipment racks, especially for headphone listening, we moved away from the basic box-with-a-faceplate formula and created something that can stand alone as an object intended to be seen from all sides. Distributing the mass more evenly around the case is also beneficial for vibration control. We also wanted to make the tubes more visible than our previous products and allow users to change their tubes without removing the cover.

Quite a bit of effort was put into the indicator LEDs: we use the same warm, natural color that you would want for a reading lamp, along with a carefully chosen diffuser + filter arrangement to create the right glow without glare.


Ray RESERVE 6SN7 Tube Upgrade

Elevate your Aero experience with the Ray RESERVE 6SN7 tube upgrade. This premium option comes in addition to the stock tubes.

Existing Aero owners can purchase the Ray RESERVE 6SN7 Tube Upgrade here.

“The thing that puts [the Ray RESERVE 6SN7 tubes] in first place is resolution, bass control, and an overall tighter, cleaner sound compared to any of the NOS variety while still imparting a nice sense of tone and texture.”

~ Twittering Machines


Ray Reserve 6SN7 Customer Testimonial

After more than 200 hours of burn in with the tubes, my read is that the LTA Aero DAC showcases a significant improvement in sound quality when upgraded to Ray Reserve tubes compared to the stock NOS GE 12SN7 tubes.

Ray Reserve tubes excel in delivering enhanced vocal realism, detailed treble, and extended bass. The result is a richer tonality over the stock tubes with a deep, controlled bass and a smooth, refined high end. They offer superior resolution, a tighter and cleaner sound, and a balanced tonal richness that creates an immersive and high-fidelity listening experience.

The improvements are so substantial that, if quieried, I would say that purchase of either or both of Aero Dac and Mz3 should only be made with the upgrade to Ray Reserve tubes.

~Raphael G.

Steve Guttenberg on the Ray Reserve 6SN7 tubes

“So what would the Ray tubes bring to the party? Well, definitely what I was getting was enhanced transparency. Inner detail, like the spaces between the instruments, that sort of thing. The bass had a little bit more kick to it.

Not tube-ier, not like softer, mellower. Not that kind of tube-y. This is tube-ier in terms of hearing deeper into the music.”

~Steve Guttenberg, The Audiophliac


The Ray RESERVE 6SN7 delivers a lifelike audio experience with smooth vocals, balanced treble, and commanding bass, surpassing the stock 12SN7 in tonal richness. It's an exceptional alternative to NOS tubes, offering deep bass and a smooth, refined high end..

  • Hand-selected and rigorously tested

  • Fewer than 5% of the tubes commissioned for production meet our voltage, current, and sound signature standards

  • Gold pins for superior conductivity and longevity

  • Monocrystalline carbon coating enhances sound by cooling, blocking noise, and allowing for quicker electron transmission

  • Low noise and microphonics

  • 12-month warranty against manufacturing defects (more info)

  • 30-day trial / return policy (more info)

Ray Tubes Quality Control Processes

Due to the clarity of the ZOTL circuit in LTA products, we are very picky about tubes. LTA has worked directly with Ray to establish strict guidelines and industry-leading QC processes to ensure great sound, consisent operation, and long tube life.

  • 24 Hour Burn-In: Each tube undergoes a burn-in period to stabilize components and identify early signs that might lead to premature failures later on.

  • Comprehensive Parameter Testing: Tubes are tested against more than a dozen critical parameters like amplification factor and internal resistance.

  • Individual Measurement Recording: Measurements are logged under each set’s unique serial number for traceability.

  • Current Draw Analysis: Industrial-grade machinery measures current draw to ensure fully-accurate matching.

  • Functional Testing: Tubes are installed in amplifiers to assess real-world performance.

  • Microphonics Testing: Tubes are subjected to physical stressors to reveal any buzzing or defects.

  • Expert Listening Sessions: Audio specialists randomly select certain tubes that have passed all previous tests and evaluate the sound quality of tubes.

Note: Ray RESERVE 6SN7 tubes ship separately from the Aero.


Specifications

  • Inputs: USB, RCA Coax, Toslink / Optical

  • Outputs: RCA (70 ohm), XLR (140 ohm)

  • Formats: Up to 24-bit / 192 kHz PCM

  • DAC: Analog Devices AD1865 R2R

  • Output Voltage:

    • RCA: 2.2 Vrms

    • XLR: 4.4 Vrms

  • THD+N:

    • RCA: 0.54% at 1.1 Vpeak.

    • XLR: 0.061% at 2.2 Vpeak

  • Hum:

    • RCA: -110dB at 1.1 Vpeak

    • XLR: -116dB at 2.2 Vpeak

  • Frequency Response: -0.3dB at 20Hz and -0.8dB at 20kHz

  • Tube Complement: 2 x 12SN7 (6SN7 tubes can also be used)

  • Power Consumption: 32W (Standby: 7W)

  • Dimensions:

    • Width: 17in

    • Depth: 10in (10.5 in including connectors)

    • Height: 3in (not including tubes), ~4.5in (with stock tubes installed)

  • Weight: Approx 15 lbs